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Susan Nicely

Mezzo-Soprano
 
Mezzo-Soprano Susan Nicely is known for her rich voice and vivid characterizations. Her highly acclaimed “lively comic presence” in roles such as Dame Marthe in Faust, Old Lady in Candide, Katasha in The Mikado, and Marcellina in Le nozze di Figaro, as well as dramatic portrayals in Cavalleria rusticana as Mamma Lucia, and The Ballad of Baby Doe as Mama McCourt make this character mezzo an “audience darling,” says the Austin American-Statesman. A house favorite with Dallas Opera, she was most recently seen in a highly-acclaimed performance as Julia Child in Lee Hoiby’s one-woman opera, Bon Appetit! Proclaimed D Magazine: “Mezzo-soprano Susan Nicely…delivered the goods with a gorgeously textured, rich vocal timbre and a perfect touch of slapstick, expanding on and somewhat exaggerating Child’s endearing, always-laughed-off clumsiness.”

Feb
2015

Feb-21
Georgia Bottoms: A Comic Opera of the Modern South
Little Mama
Huntsville Symphony
Huntsville, AL
Mar
2015

Mar-20
to
Mar-22
Suor Angelica/Gianni Schicchi
Principessa/Zita
Savannah Music Festival
Savannah, GA
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…brilliant performance…
Le nozze di Figaro- “Mezzo Susan Nicely, as Marcellina, nearly succeeded in stealing the show with her brilliant performance of the frustrated overbearing duenna, anxious to marry Figaro. She was one of the best Marcellinas I’ve seen in a long time.” Palm Beach Arts Paper
…gorgeously textured…
Bon Appetit- “Mezzo-soprano Susan Nicely…delivered the goods with a gorgeously textured, rich vocal timbre and a perfect touch of slapstick, expanding on and somewhat exaggerating Child’s endearing, always-laughed-off clumsiness.” D Magazine
…strong, multidimensional…
Faust - “Susan Nicely sang a strong, multidimensional Marthe.”Opera News
…rich, lustrous mezzo…
Cavalleria Rusticana - “Susan Nicely’s Mamma Lucia…supplies a rich, lustrous mezzo.”Austin American-Statesman
…comedic timing is superb…
Candide - “Susan Nicely makes a welcome return…her comedic timing is superb and vocal range is rich and rewarding.”Dayton Daily News
…strong, dark voice…
Hansel and Gretel - “Susan Nicely was a compelling witch…her strong, dark voice took on an especially frightening power.”Chicago Sun-Times
Composer Opera Role
Bernstein Candide Old Lady
Donizetti Lucia di Lammermoor Alisa
Maria Stuarda Anna
Floyd Susannah Mrs. Ott
Giordano Andrea Chenier Countess
Gounod Faust Dame Marthe Schwerlein
Roméo et Juliette Gertrude
Heggie Dead Man Walking Jade Boucher
Hoiby Bon Appétit! Julia Child
Humperdinck Hänsel and Gretel Die Hexe (Witch)
Mascagni Cavalleria rusticana Mamma Lucia
Menotti The Medium Madame Flora (Baba)
Moore The Ballad of Baby Doe Mama McCourt
Mozart Le nozze di Figaro Marcellina
Die Zauberflöte Zweite Dame
Mussorgsky Boris Godunov Nurse
Poulenc Dialogues of the carmélites Mere Jeanne
Puccini Gianni Schicchi Zita
Suor Angelica Principessa
Il tabarro Frugola
Rossini Il barbiere di Siviglia Berta
La Cenerentola Tisbe
Sondheim Sweeney Todd Mrs. Lovett
Strauss Der Rosenkavalier Annina
Strauss Die Schweigsame Frau Housekeeper
Stravinsky The Rake’s Progress Mother Goose
Sullivan H.M.S. Pinafore Mrs. Cripps (Little Buttercup)
The Mikado Katisha
Tchaikovsky Pique Dame (The Queen of Spades) Governess
Verdi Falstaff Dame Quickly
Macbeth Witch
Otello Emilia
La traviata Annina
Il trovatore Inez
Rigoletto Giovanna
Wagner Der fliegende Holländer Mary
Weill Street Scene Emma Jones
Mezzo-Soprano Susan Nicely is known for her rich voice and vivid characterizations. Her highly acclaimed “lively comic presence” in roles such as Dame Marthe in Faust, Old Lady in Candide, Katasha in The Mikado, and Marcellina in Le nozze di Figaro, as well as dramatic portrayals in Cavalleria rusticana as Mamma Lucia, and The Ballad of Baby Doe as Mama McCourt make this character mezzo an “audience darling,” says the Austin American-Statesman. Up next, she performs the Principessa in Suor Angelica and Zita in Gianni Schichhi at Savannah Music Festival, as well as Little Mama in the world première of Gregory Vajda’s Georgia Bottoms: A Comic Opera of the Modern South with the Huntsville Symphony.

A house favorite with Dallas Opera, she has appeared there as Suzuki in Madama Butterfly, Alisa in Lucia di lammermoor, Annina in La traviata, Hannah in Maria Stuarda, Tisbe in La Cenerentola, the Nurse in Boris Godunov, and, most recently, in a highly-acclaimed performance as Julia Child in Lee Hoiby’s one-woman opera, Bon Appetit! Proclaimed D Magazine: “Mezzo-soprano Susan Nicely…delivered the goods with a gorgeously textured, rich vocal timbre and a perfect touch of slapstick, expanding on and somewhat exaggerating Child’s endearing, always-laughed-off clumsiness.” Ms. Nicely next performed the hit show with Opera Santa Barbara in the fall of 2013. Also a house favorite at the Atlanta Opera, she has seen performances there as Alisa inLucia di Lammermoor, Mary in Der fliegende Holländer, Thelma Predmore in Cold Sassy Tree, Berta in Il barbiere di Siviglia, and Annina in La traviata.

Engagements from the past few seasons also include Marcellina in Le nozze di Figarowith Arizona Opera and the Orlando Philharmonic; Mamma Lucia in Cavalleria rusticana with New York City Opera, Arizona Opera, and Opera Tampa; Gertrude in Roméo et Juliette with the New Orleans Opera, Michigan Opera Theatre, and Opera Grand Rapids; Katasha in The Mikado with the Indianapolis Opera, Portland Opera, and Shreveport Opera; Emma Jones in Street Scene, Dame Quickly in Falstaff, and Marcellina in Le nozze di Figaro with Chautauqua Opera; Berta in Il barbiere di Siviglia with Opera Omaha; The Old Lady in Candide with Austin Lyric Opera; Marquise de Berkenfeld in La fille du régiment with Florentine Opera; the Witch in Hänsel und Gretel with Chicago Opera Theatre; Little Buttercup in H.M.S. Pinafore with Opera Cleveland and Arizona Opera; Dame Marthe in Faust with Palm Beach Opera; Mrs. Herring in Albert Herring with Indianapolis Opera; and the roles of Principessa, and Zita in Suor Angelica and Gianni Schicchi with Opera Carolina.

Ms. Nicely made her European début in Strasbourg, France in the role of Mary with Opera du Rhine’s production of Der fliegende Holländer and her début in South America as Mrs. Lovett in Sweeney Todd with Opera Breve in Caracas, Venezuela. Other acclaimed engagements include Mother Goose in The Rake’s Progress with San Francisco Opera; Mamma Lucia in Cavelleria rusticana, Governess in Pique Dame and Mrs. Ott in Susannah with Lyric Opera of Chicago; Marthe in Faust with Houston Grand Opera; and Marcellina in Le nozze di Figaro with Cincinnati Opera.

Orchestral appearances include concerts with the Milwaukee Symphony, Charleston Symphony, Grant Park Symphony of Chicago, Wheeling Symphony, Des Moines Symphony, and the Chautauqua Symphony Orchestra.

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