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Peter Strummer

Bass-Baritone

One of America’s foremost character bass-baritones, Peter Strummer has earned a reputation for endowing his buffo characterizations with incredible depth and humanity. His signature portrayals are described as “highly individual, each formidably different whether as Bartolo or Don Magnifico or Beckmesser or Pasquale.” This season’s engagements include the title role of Don Pasquale with Livermore Valley Opera and Bartolo in Il barbiere di Siviglia with Opera Santa Barbara. Last season, Strummer performed Don Magnifico in La Cenerentola with Syracuse Opera, the title role in Don Pasquale with Opera Orlando and Vero Beach Opera, the title role in The Mikado with Kentucky Opera, Sacristan in Tosca with Opera Tampa, and Bartolo in Il barbiere di Siviglia with Opera Grand Rapids.

May
2017

May-12
to
May-13
Il barbiere di Siviglia
Bartolo
Opera Grand Rapids
Grand Rapids, MI
Sep
2017

Sep-30
to
Oct-08
Don Pasquale
Don Pasquale
Livermore Valley Opera
Livermore, CA
Mar
2018

Mar-02
to
Mar-04
Il barbiere di Siviglia
Bartolo
Opera Santa Barbara
Santa Barbara, CA
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…possessing great strength and warmth …
 La fille du régiment Admirably rounding out the principal threesome was bass-baritone Peter Strummer, a performer possessing great strength and warmth in both his speaking and singing voice, and in his affectionate portrayal of Sulpice, sergeant of the 21st Regiment. I loved the infectiously happy ‘Three-Headed Opera Singer’ staging of the Act II trio, ‘Tous les trois reunis.'”Port Folio Weekly
…Outstanding…
 Der Rosenkavalier “Outstanding was Peter Strummer as Faninal, whose voice tended to raspiness but equally to eloquence. So convincing was his performance that one sympathized with his plight when his intended son-in-law was publicly humiliated and discredited.”Opera Magazine
…warm, firm, agile voice…
 Don Pasquale“In the title role, Peter Strummer played the male analogue of a spinster, set in his ways and prone to impatience – a portrayal belied by his warm, firm, agile, obviously younger voice.” Opera News
…flawless…
Der fliegende Holländer “Daland (bass-baritone Peter Strummer) was flawless with vocal strength to spare.”The Arizona Republic
…real buffo flair…
Le nozze di Figaro “Bass-baritone Peter Strummer in the dual roles of Dr. Bartolo and Antonio showed a real buffo flair. He was especially outrageous as the ever-drunken gardener, Antonio.”Palm Beach Daily News
One of America’s foremost character bass-baritones, Peter Strummer has earned a reputation for endowing his buffo characterizations with incredible depth and humanity. His signature portrayals are described as “highly individual, each formidably different whether as Bartolo or Don Magnifico or Beckmesser or Pasquale.” This season’s engagements include the title role of Don Pasquale with Livermore Valley Opera and Bartolo in Il barbiere di Siviglia with Opera Santa Barbara. Last season, Strummer performed Don Magnifico in La Cenerentola with Syracuse Opera, the title role in Don Pasquale with Opera Orlando and Vero Beach Opera, the title role in The Mikado with Kentucky Opera, Sacristan in Tosca with Opera Tampa, and Bartolo in Il barbiere di Siviglia with Opera Grand Rapids.

Engagements from recent seasons include the title role in Don Pasquale with Opera Lyra Ottawa, Florentine Opera, New York City Opera, and Manitoba Opera; Candy in Of Mice and Men with New York City Opera and Manitoba Opera; Reverend Baines in Elmer Gantry with Tulsa Opera; Quince in A Midsummer Night’s Dream at the Fondazione del Teatro dell’Opera di Roma; Benoit/Alcindoro in La bohème at Opera Lyra Ottawa, Opera Tampa, and Syracuse Opera; Dulcamara in L’elisir d’amore with Austin Lyric Opera, the Atlanta Opera, and Kentucky Opera; Pasha Selim in Die Entführung aus dem Serail at the Arizona Opera; Taddeo in L’italiana in Algeri at Austin Lyric Opera; Daland in Der fliegende Holländer with Arizona Opera and in concert with the Syracuse Symphony; Sulpice in La fille du régiment at Michigan Opera Theatre, Palm Beach Opera, and Tulsa Opera; the title role in The Mikado at Opera New Jersey; and Don Magnifico in La Cenerentola at Shreveport Opera and The Atlanta Opera. In concert, he performed the baritone solos in Beethoven’s Symphony No. 9 with the Israel Symphony Orchestra and Dvořák’s Stabat Mater with the Jerusalem Symphony Orchestra.

Mr. Strummer’s signature roles include Bartolo in Il barbiere di Siviglia, which he performed with Manitoba Opera, Nashville Opera, Arizona Opera, Tulsa Opera, Opera Carolina, Austin Lyric Opera, The Atlanta Opera, Opera Las Vegas, Opera Lyra Ottawa, and Calgary Opera; Bartolo in Le nozze di Figaro with Arizona Opera, Orlando Philharmonic, Palm Beach Opera, Baltimore Opera, Lyric Opera of Kansas City, Atlanta Opera, Tulsa Opera, and Michigan Opera Theatre; and Sacristan in Tosca with the Canadian Opera Company, Manitoba Opera, Michigan Opera Theatre, New York City Opera, Seattle Opera, Baltimore Opera, Cleveland Opera, and Arizona Opera.

Notable engagements also include Benoit/Alcindoro in La bohème, the Badger in The Cunning Little Vixen and Alcalde in La forza del destino with San Francisco Opera; Seattle Opera’s Der Ring des Nibelungen cycle covering Alberich; Rashid in Haroun with New York City Opera; the Major Domo in Ariadne auf Naxos with Dallas Opera; and Alberich in Das Rheingold with New Orleans Opera.

Many of Mr. Strummer’s performances were recorded and broadcast throughout the world. His appearances with the Canadian Opera Company as Melitone in La forza del destino and as Sacristan in Tosca were aired on CBC Television, and his portrayal of Musikmeister in Ariadne auf Naxos with Florentine Opera of Milwaukee was made into a film, which was broadcast in the United States on PBS. His performance as Devilshoof in The Bohemian Girl with Central City Opera has been released on Voce Records.

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