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“Largo al factorum,” Rossini’s Il barbiere di Siviglia

[audio:http://www.uzanartists.com/wp-content/uploads/2012/09/Thus-saith-the-Lord_Messiah.mp3]

“Thus saith the Lord,” Händel’s Messiah

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Voice-Over Narration

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Voice-Over Documentary

“Largo al factorum,” Rossini’s Il barbiere di Siviglia

“Thus saith the Lord,” Händel’s Messiah

Voice-Over Narration

Voice-Over Documentary

BACK TO  SINGERS I OUR ARTISTS

Keith Harris

Baritone

Praised for the distinctive warmth of his voice, clear diction, and exceptional musicianship, American baritone Keith Harris is captivating audiences in his performances on both operatic and concert stages. This season, he joins New York City Opera for their production of Angels in America, returns to The Metropolitan Opera for The Merry Widow, performs the role of Papageno in Die Zauberflöte with St. Petersburg Opera, Albert in Werther with The Israeli Opera, and Le Bret in Cyrano with Opera Carolina. He has appeared with the Seattle Opera, Santa Fe Opera, Opera Theatre of Saint Louis, Holders Festival in Barbados, Nevada Opera, Opera of East Texas, El Paso Opera, and Skagit Opera. Noted roles in Mr. Harris’ repertoire also include Guglielmo in Così fan tutte, Figaro in Il barbiere di Siviglia, Papageno in Die Zauberflöte, and Athanaël in Thaïs. No stranger to musical theatre, Mr. Harris has performed as Billy Bigelow in Carousel, Anthony Hope in Sweeney Todd, Pirate Bras Pique in Naughty Marietta, and The Music Man with Baltimore Actors’ Theatre.  Some highlights of his engagements include the role of Journalist in Lulu at Teatro Comunale di Bologna; Valentin in Faust with Toledo Opera; Silvio in Pagliacci with Opera Tampa; and productions of Faust, Werther, and Lulu with The Metropolitan Opera.

Jun
2017

Jun-10
to
Jun-16
Angels in America
New York City Opera
New York, NY
Nov
2017

Nov-04
to
Nov-09
Cyrano
Le Bret
Opera Carolina
Charlotte, NC
Dec
2017

Dec-14
to
Jan-11
The Merry Widow
The Metropolitan Opera
New York, NY
Feb
2018

Feb-02
to
Feb-06
Die Zauberflöte
Papageno
St. Petersburg, Opera
St. Petersburg, FL
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…generates a macho richness…
Faust  “As Valentin, Marguerite’s brother, baritone Keith Harris generates a macho richness as a departing soldier, adding an edge to his role in the death scene where he blames his ills on his sister.” – Toledo Blade 
…rock-solid…
 Beethoven’s Symphony No. 9 “The rock-solid Harris cut through the chaos with an invocation to the spirit of joy.” – Intelligencer Journal 
…properly ardent…
 Pagliacci  “Keith Harris was properly ardent as Nedda’s swain, Silvio.”Tampa Bay Times 
…has a distinguished chiaro-oscuro voice…
L’elisir d’amore The baritone Keith Harris, as Belcore, a macho and boastful officer, has a distinguished chiaro-oscuro voice.”Morbihan, Quest-France 
…a powerfully narrative element in his singing…
Greenwich Choral Society  Baritone soloist Keith Harris intoned the opening prelude, from which the title of the work comes, in which an observation is made by Marcellus in the first scene of Shakespeare’s “Hamlet”. Harris has a powerfully narrative element in his singing that was perfect for this style.”The Greenwich Time
Praised for the distinctive warmth of his voice, clear diction, and exceptional musicianship, American baritone Keith Harris is captivating audiences in his performances on both operatic and concert stages. This season, he joins New York City Opera for their production of Angels in America, returns to The Metropolitan Opera for The Merry Widow, performs the role of Papageno in Die Zauberflöte with St. Petersburg Opera, Albert in Werther with The Israeli Opera, and Le Bret in Cyrano with Opera Carolina.

Some highlights of his North American engagements include productions of Faust, Werther, and Lulu with The Metropolitan Opera; the role of Valentin in Faust with Toledo Opera and Annapolis Opera; the début of the role Sir Plume in the world première of The Rape of the Lock at New York Opera Fest; the role of Silvio in Pagliacci with Opera Tampa; the role of Albert in Werther with Mobile Opera; and the roles of Count Almaviva in Le nozze di Figaro and Dandini in La Cenerentola with Bar Harbor Music Festival, where he subsequently returned for a Tea Concert and pops concert for their 50th Anniversary.

He has appeared with the Seattle Opera, Santa Fe Opera, Opera Theatre of Saint Louis, Holders Festival in Barbados, Nevada Opera, Opera of East Texas, El Paso Opera, and Skagit Opera. Noted roles in Mr. Harris’ repertoire also include Guglielmo in Così fan tutte, Figaro in Il barbiere di Siviglia, Papageno in Die Zauberflöte, and Athanaël in Thaïs. No stranger to musical theatre, Mr. Harris performed as Billy Bigelow in Carousel, Anthony Hope in Sweeney Todd, Pirate Bras Pique in Naughty Marietta, and The Music Man with Baltimore Actors’ Theatre. Internationally, he performed the role of Journalist in Lulu at Teatro Comunale di Bologna and often performs many roles with The Festival lyrique international de Belle-Île en Mer in France, including Belcore in L’elisir d’amore, Iago in Otello, Ford in Falstaff, and, most recently, Tonio in Pagliacci.

A seasoned concert artist, Mr. Harris has performed with numerous esteemed symphonies throughout North America. Since his début at Carnegie Hall for the world première of David N. Child’s Requiem, Mr. Harris repeatedly finds himself on the stage of the esteemed venue for performances of great works such as Hayes’s Te Deum, Haydn’s Lord Nelson Mass, Orff’s Carmina Burana, and Rutter’s Mass of the Children. With New Jersey Choral Society, he sang Fauré’s Reqiuem, and with both New Jersey Choral Society and Connecticut Choral Society he sang Haydn’s Heiligmesse and Ed Lojeski’s Psalms of Passover. Other highlights of his concert career include the roles of Morales and Le Dancaïre in Carmen with Pacific Symphony; the baritone solo in Beethoven’s Symphony No. 9 with New Haven Symphony, Lancaster Symphony, and National Chorale at Avery Fisher Hall; Karsa’s Brudibar with Phoenix Symphony; Händel’s Messiah with East Texas Symphony Orchestra; Gerald Finzi’s In Terra Pax with Dessoff Choirs under the baton of James Bagwell; Argento’s Andrée Expedition with Emerson Series in Wisconsin with pianist Kenneth Bozeman; Carmina Burana with Savannah Philharmonic, Lancaster Symphony, Riverside Choral Society at Alice Tully Hall, and National Chorale at Lincoln Center; Stephen Paulus’ So Hallow’d Is the Time with Greenwich Choral Society; and the world première of Morning Has Broken arranged by Bob Chilcott.

A vocal competition winner, his numerous honors and awards include first prize in the Seattle Region Metropolitan Opera National Council Auditions, “Young Artist of the Year” with Opera Longview Vocal Competition in Texas, the Ellen Faull Gordon Northwest Vocal Competition, and the Ladies Musical Club Competition in Seattle. He holds a Master of Music degree in Voice Performance from the University of Washington and a Bachelor of Music degree in Voice Performance from Lawrence University in Wisconsin.

 

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