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“O Lola,” Mascagni’s Cavalleria Rusticana


“Willst jenes Tag’s,” Wagner’s Der fliegende Holländer

“O Lola,” Mascagni’s Cavalleria Rusticana

“Willst jenes Tag’s,” Wagner’s Der fliegende Holländer


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John Pickle

Tenor

Tenor John Pickle quickly has established himself as a strong tenor, most recently for his portrayals of Erik in Der fliegende Holländer, a role he débuted with Los Angeles Opera. Of a performance as the jilted hunter with Lyric Opera of Kansas City, The Kansas City Star raved, “Pickle’s emotionally wrought characterization drove this [performance] even harder home than usual.” In recent seasons, Mr. Pickle also enjoyed performances as Erik with Utah Festival Opera and Michigan Opera Theatre. This season, Pickle will be performing Canio in Pagliacci with Dayton Opera, Cavardossi in Tosca with Intermountain Opera Bozeman, Rodolfo in La bohème with Colorado Symphony, and Beethoven’s Symphony No. 9 with National Chorale. He will be joining the roster of Lyric Opera of Chicago for their production of Norma.

May
2017

May-12
to
May-14
Tosca
Cavardossi
Intermountain Opera Bozeman
Bozeman, MT
Jul
2017

Jul-25
Verdi Requiem
Soloist
Distinguished Concerts in New York
Barcelona, Spain
Sep
2017

Sep-16
to
Sep-17
Verdi Requiem
Soloist
Dayton Opera
Dayton, OH
Oct
2017

Oct-05
to
Oct-07
Tosca
Cavaradossi
Nashville Opera
Nashville, TN
Apr
2018

Apr-08
to
Apr-15
Norma
Pollione
Opera Southwest
Albuquerque, NM
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…gleaming tenor…
 Die Fledermaus  “John Pickle possibly won the vocal laurels as Alfred…Pickle’s gleaming tenor registered charmingly in his interpolated snatches of various arias (and even in a few bars of ‘Crazy’) and he did a funny send up of Pavarotti and his trademark hankie.” – Opera News 
…vocal high-wire act…
Der fliegende Holländer – Senta’s former boyfriend Erik, sung superbly by John Pickle, hears that a stranger has set his sights on her and jealously tries to reconcile. Pickle’s heldentenor voice rang brilliantly as his fury with Senta escalated, maintaining keen focus throughout his vocal high-wire act.Salt Lake Tribune 
…sang with thrilling squillo…
 Verdi’s Requiem  – “Tenor John Pickle also sang with thrilling squillo in a true Italian style that was entirely appropriate.” – New York Concert Review
…clarity and strength…
 Turandot – “Enter Calaf, sung by John Pickle, exudes a confidence that borders on the foolhardy. And yet, what does one say to a smitten suitor? The Executioner makes a compelling case with his blade. Pickle has performed with Mobile Opera in the past, but this is his debut as Calaf and he brings clarity and strength to the role.His “Nessun dorma” is the opera’s showpiece, but his work throughout is stellar. “Straniero, ascolta!” (the “Riddle Scene”) with Follman is revelatory; and hear the pain in his voice during the Act III tragedy with the slave girl Liu, sung by Megan King.”The Mobile Press-Register
…powerful voice…
 Pagliacci “Being an American tenor, Pickle gives a different look and feel to the role, in addition to his powerful voice.”– Huffpost Detroit 
Tenor John Pickle quickly has established himself as a strong tenor, most recently for his portrayals of Erik in Der fliegende Holländer, a role he débuted with Los Angeles Opera. Of a performance as the jilted hunter with Lyric Opera of Kansas City, The Kansas City Star raved, “Pickle’s emotionally wrought characterization drove this [performance] even harder home than usual.” In recent seasons, Mr. Pickle also enjoyed performances as Erik with Utah Festival Opera and Michigan Opera Theatre. This season, Pickle will be performing Canio in Pagliacci with Dayton Opera, Cavardossi in Tosca with Intermountain Opera Bozeman, Rodolfo in La bohème with Colorado Symphony, and Beethoven’s Symphony No. 9 with National Chorale. He will be joining the roster of Lyric Opera of Chicago for their production of Norma.

Favorite engagements from recent seasons also include Canio in Pagliacci with Michigan Opera Theatre and Opera Memphis; Riccardo in Un ballo in maschera and Don José in Carmen with Opera Tampa; Radamés in Aïda with Dayton Opera; Turiddu and Canio in Opera Delaware’s double-bill production of Cavalleria Rusticana/Pagliacci; and the title role in Candide with Fresno Grand Opera. Mr. Pickle has also performed Cavaradossi in Tosca with Townsend Opera, Pinkerton in Madama Butterfly at Florida Grand Opera and Dayton Opera, Des Grieux in Manon Lescaut Mobile Opera, and Alfred in Die Fledermaus at Florentine Opera.

Mr. Pickle is an established talent on symphonic concert and recital stages throughout the country. He made his Houston Symphony début as the tenor soloist in Mahler’s Symphony No. 8. Additional concert engagements in recent seasons included the tenor solo in Verdi’s Requiem with the Mississippi Symphony Orchestra, Opera Grand Rapids, Baton Rouge Symphony Orchestra, and at Carnegie Hall; Beethoven’s Symphony No. 9 with the Lima Symphony and Long Bay Symphony; the tenor soloist in a Night of Verdi Hits concert with the Santa Barbara Symphony; Viva Verdi! concerts with Lyric Opera of Virginia; Missa Solemnis with Utah Festival Opera; Mahler’s Das Lied von de Erde with the Dayton Philharmonic; Händel’s Messiah at Avery Fisher Hall and with Greater Trenton Choral Society; a Gala Concert at Northern Oklahoma College conducted by Gerald Steichen; a Valentine’s Day Concert with Northwest Arkansas Symphony; and a concert of opera arias entitled “Are we really 30?” at St. Bart’s Music Festival conducted by Steven Mercurio.

He made his Carnegie Hall début in 2008 performing Schubert’s Mass in G Major and the Mozart’s Requiem conducted by John Rutter, and performed Mozart’s Requiem in the famed hall again in 2012. Additionally, he performed Beethoven’s Mass in C Major with New Jersey Choral Society; Orff’s Carmina Burana with Cobb Symphony Orchestra and Long Bay Symphony; Bach’s St. John Passion with Rhode Island Civic Chorale and Orchestra; Bach’s Mass in B Minor with Gotham City Baroque Orchestra; Mendelssohn’s Elijah with First Congregational Church of Akron’s Concert Series; Rossini’s ironically titled Petite messe solennelle with Stonington Choral Society; Haydn’s Heiligmesse and the world première of Ed Lojeski’s Psalms of Passover with the New Jersey and Connecticut Choral Societies; Gabriello Chiaramantesi/Un Cantore in Giordano’s rarely performed La cena delle beffe with Teatro Grattacielo in Alice Tully Hall; Florentine Opera’s Gala Concert; an opera highlights concert with the Jefferson City Symphony; Victor Herbert’s 150th Birthday Celebration with Little Orchestra Society; a series of concerts entitled J’aime Paris Opéra! with the Las Colinas, Arlington, and Garland Symphonies; and a concert of opera’s greatest hits with Opera Idaho and the Boise Philharmonic.

Additional previous operatic engagements include Cavaradossi in Tosca, Erik in Der fliegende Holländer, Calaf in Turandot, and a Gala Concert for Mobile Opera; Tybalt in Roméo et Juliette with Opera Grand Rapids; Rodolfo in La bohème for Baltimore Concert Opera; the Duke in Rigoletto with Center City Opera Theater; Manrico in Il trovatore and BRAVO! An Opera Celebration with Intermountain Opera Bozeman; a Giordano Gala and a production of Ricitelli’s I Compagnacci for Teatro Grattacielo; Edgardo in Lucia di Lammermoor, Cavaradossi in Tosca, Rodolfo in La bohème, and Pinkerton in Madama Butterfly with Opera Southwest; Kaspar in Amahl and the Night Visitors at Avery Fisher Hall; and Judge Danforth in The Crucible with Utah Festival Opera. Of a performance as Rodolfo, critics raved: “John Pickle brings a resilient, wonderfully placed sound and a sensitive musicality to Rodolfo that embraces each nuance of this rich score with an enviable mix of delicacy and strength.”

Mr. Pickle has also been featured on several operetta recordings for the Albany Records and Newport Classic labels. These include Alexius in The Chocolate Soldier by Oscar Straus, Barry O’Day in Eileen, Captain Dick in Naughty Marietta and Lieutenant Karl in Sweethearts all by Victor Herbert; Prince Radjami in The Bayadere by Emerich Kalman; Schubert in Das Dreimäderlhaus by Franz Schubert and The Duke in Eine Nacht in Venedig by Johann Strauss.

 

 

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