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“I Know that my Redeemer Liveth,” Handel’s Messiah


“I Know that my Redeemer Liveth,” Handel’s Messiah

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Haeran Hong

Soprano

Soprano Haeran Hong, named the International Queen Elizabeth Grand Prize winner, has been noted as “charming of form, manner, and voice.” In her young, yet fast-paced career, she has performed various leading roles including Adina in L’elisir d’amore, Gilda in Rigoletto, and Pamina in Die Zauberflöte. This season, Ms. Hong will perform the title role of Lucia di Lammermoor with Florida Grand Opera, the title role in Verdi’s Giovanna d’Arco with Odyssey Opera, and will return to The Metropolitan Opera as Flower Maiden in Parsifal. In recent seasons, Ms. Hong sang the title role of Händel’s Semele with Pacific Musicworks in Seattle, made her début in the title role in Donizetti’s Lucia di Lammermoor at Opera in Williamsburg, sang Susanna in Le nozze di Figaro at Princeton Festival, and returned to The Met to cover the roles of Olympia in Les contes d’Hoffman, Nannetta in Falstaff, and Sophie in Werther, as well as their productions of Die Frau ohne SchattenDialogues des carmélites, and Un ballo in maschera.

Nov
2017

Nov-11
to
Nov-18
Lucia di Lammermoor
Lucia
Florida Grand Opera
Miami, FL
Nov-30
Lucia di Lammermoor
Lucia
Florida Grand Opera
Fort Lauderdale, FL
Feb
2018

Feb-05
to
Feb-27
Parsifal
Flower Maiden
The Metropolitan Opera
New York, NY
Apr
2018

Apr-05
to
Apr-07
Giovanna
Giovanna d’Arco
Odyssey Opera of Boston
Boston, MA
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…with gleaming tone…
Ariodante“Among the fresh voices heard, the most finished were those of Haeran Hong, a soprano who sang with gleaming tone and deftly negotiated ornate lines as Dalinda, Ginevra’s confidante; Anthony Roth Costanzo, an intense, engaging countertenor, who played the treacherous Polinesso; and Shenyang.” Steve Smith 
…inspired spontaneous bursts of applause…
 Semele – “That castle is capped by a spire that is Haeran Hong’s acrobatic soprano voice in the title role, which inspired spontaneous bursts of applause and cries of ‘Brava!’” – Seattle Times 
…a clear, sparkling instrument…
 L’incoronazione di Poppea – “Korean soprano Haeran Hong made the most of Poppea, singing the high-lying music with a clear, sparkling instrument.” – Super Conductor 
…more sweetly, lyrical timbre…
Dialogues des Carmelites “Haeran Hong, as Sister Constance, Blanche’s closest companion among the nuns, matched the impulses of Ms. Goonetilleke’s performance in their joint scenes, but with a lighter, more sweetly lyrical timbre.” – Allan Kozinn 
…a voice like purest nectar…
Dialogues des Carmelites – “Haeran Hong, with a porcelain visage and a voice like purest nectar, was perfectly cast as Constance. She brought humor and a bird-like energy, as well as effortlessly graceful phrasing, to the part.” Operaticus.com
Soprano Haeran Hong, named the International Queen Elizabeth Grand Prize winner, has been noted as “charming of form, manner, and voice.” In her young, yet fast-paced career, she has performed various leading roles including Adina in L’elisir d’amore, Gilda in Rigoletto, and Pamina in Die Zauberflöte. This season, Ms. Hong will perform the title role of Lucia di Lammermoor with Florida Grand Opera, the title role in Verdi’s Giovanna d’Arco with Odyssey Opera, and will return to The Metropolitan Opera as Flower Maiden in Parsifal.

In recent seasons, Ms. Hong sang the title role of Händel’s Semele with Pacific Musicworks in Seattle, made her début in the title role in Donizetti’s Lucia di Lammermoor at Opera in Williamsburg, sang Susanna in Le nozze di Figaro at Princeton Festival, and returned to The Met to cover the roles of Olympia in Les contes d’Hoffman, Nannetta in Falstaff, and Sophie in Werther, as well as their productions of Die Frau ohne Schatten, Dialogues des carmélites, and Un ballo in maschera. Ms. Hong initially joined the Metropolitan Opera roster as Crowned Child in Macbeth and returned shortly thereafter in Robert Lepage’s production of Siegfried and to sing Flower Maiden in Parsifal.

With Juilliard Opera, she performed the title role of L’incoronazione di Poppea, Sister Constance in Dialogues des carmélites, Dalinda in Händel’s Ariodante, and Susanna in Le nozze di Figaro. She also sang the role of Barbarina in Le nozze di Figaro and covered the role of Seleuce in Händel’s Tolomeo, re d’Egitto as a member of Glimmerglass Opera’s Young American Artists program.

Favorite concert engagements include Händel’s Messiah with the Milwaukee Symphony Orchestra; a concert of Händel music with Maestro Harry Bicket and the Hong Kong Philharmonic; Bach’s Wass Gott tut, das ist wohlgetan and Brahms’ Neue Liebeslieder Waltzes with the La Jolla Summer Fest; Villa Lobos’ Bachianas Brasileiras No. 5 with the Aspen Music Festival; a concert with the Vienna Strauss Festival Orchestra in Korea; a gala concert at the Bolshoi Theatre in Moscow; plus Rutter’s Mass of the Children and excerpts from Messiah at Carnegie Hall.

Recent international engagements include her début with the International Festival Echternach in Luxembourg, where she performed with the Orchestre Phiharmonique du Luxembourg. She was invited to sing for Queen Paola Foundation’s Annual Christmas Concert in Belgium, returned to Korea for a concert in Seoul with Prime Philharmonic Orchestra and for a production of L’elisir d’amore as Adina with Seoul Metropolitan Opera, and also traveled to Brazil for a series of recitals in such venues as Teatro Municipal do Rio de Janeiro and Teatro Cultura Artística in São Paulo.

Ms. Hong was named a Finalist in Plácido Domingo’s Operalia, the World Opera Competition, as well as a National Finalist for the Metropolitan Opera National Council Auditions. She holds a Bachelor of Music degree from Korean National University of Arts, as well as a Master of Music Degree and Artistic Diploma in Opera Studies from The Juilliard School.

 

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