“Omnia sol temperat”, Orff’s Carmina Burana
“Soliloquy”, Rodgers and Hammerstein’s Carousel
“Trouble in River City,” Wilson’s Music Man
Praised for his “matinee idol charm and charisma,” “a beautiful, luscious baritone,” and “a compelling, commanding stage presence” by publications such as Opera News, the Star Tribune, and the Houston Chronicle, Gabriel Preisser received rave reviews once again for his performance of Lt. Gordon in the world-première of Kevin Putz’s Pulitzer Prize-winning Silent Night with Minnesota Opera. He then took his portrayal of Lt. Gordon to Opera Philadelphia, Cincinnati Opera, and in his Michigan Opera Theatre début. This season’s engagements include the title role in Don Giovanni with Skylark Opera, Marcello in La bohème with Opera Orlando, Figaro in Il barbiere di Siviglia and Le nozze di Figaro with Opera Tampa, and a concert conducted by Lee Afdahl with the Rochester Concert Series. He also, after playing Scottish Lt. Gordon numerous times, switches sides in Putz’s WWII opera as he portrays the French Lt. Audebert, this time around, in Silent Night with Piedmont Opera.
This season’s engagements include the title role in Don Giovanni with Skylark Opera, Marcello in La bohème with Opera Orlando, Figaro in Il barbiere di Siviglia and Le nozze di Figaro with Opera Tampa, and a concert conducted by Lee Afdahl with the Rochester Concert Series. He also, after playing Scottish Lt. Gordon numerous times, switches sides in Putz’s WWII opera as he portrays the French Lt. Audebert, this time around, in Silent Night with Piedmont Opera. Last season, Mr. Pressier narrated HK Gruber’s Frankenstein and sang the baritone solo in Bach’s St. Matthew Passion both with Colorado Symphony and sang Maximilian in Candide with Orlando Philharmonic Orchestra, Mercutio in Roméo et Juliette and Dandini in La Cenerentola with Opera Tampa, and the title role in Don Giovanni with Opera Orlando.
Highlights of recent seasons include Harold Hill in The Music Man at Colorado Symphony; Tommy in Brigadoon with Gulf Shore Opera; Guglielmo in Così fan tutte, Marchese in La traviata and Masetto in Don Giovanni with Opera Tampa; Falke in Die Fledemaus with Minnesota Orchestra; Silvio in Pagliacci with Opera Naples; Mercutio in Roméo et Juliette with St. Petersburg Opera; Belcore in L’elisir d’amore with Shreveport Opera; Sam in Trouble in Tahiti with Florida Opera Theatre; Baron Douphol in La traviata with Orlando Philharmonic; Carmina Burana with the Gulf Coast Symphony; Händel’s Messiah with the Orlando Messiah Society; Billy Bigelow in Carousel with Minnesota Orchestra; Escamillo in Bizet’s Carmen with Lyric Opera of the North; Figaro in Il barbiere di Siviglia with St. Petersburg Opera; Farmer Bean in Tobias Picker’s Mr. Fantastic Fox with San Antonio Opera and Odyssey Opera in Boston; Sciarraone in Tosca with Orlando Philharmonic; Angelotti/Jailor in Tosca with Colorado Symphony and Colorado Springs Philharmonic; Figaro in Le nozze di Figaro at the historic James J. Hill House and at City Opera/Ballet Bellevue; and a double bill as Bobby in Weill’s scenic cantata Mahagonny-Songspiel and as Le Mari in Poulenc’s surrealist two-act opéra bouffe Les mamelles de Tirésias, which he also performed with Opera Orlando, with Opera Parallèle. He also appeared in concert singing the baritone solo in Belshazaar’s Feast with Canterbury Chorale and as a soloist in Dayton Opera’s New Year’s Eve concert.
Mr. Preisser regularly garners critical acclaim for his dynamic interpretations of several new works including the title role in Aldridge’s Elmer Gantry, Tom Joad in Gordon’s The Grapes of Wrath, and Riolobo in Catán’s Florencia en el Amazonas at the Moores Opera Center; Antonio in Hagen’s New York Stories at Kentucky Opera; John Brooke in Adamo’s Little Women and Shoe Salesman/Puppet in Argento’s Postcard from Morocco both at Pensacola Opera; and several recitals throughout the United States with music by Charles Ives, Brahms, Ravel, Villa-Lobos, and others.
Mr. Preisser demonstrates comfort and expertise on stages of all types with an expansive repertoire of opera and musical theater roles including Prince Ottokar in Der Freischütz, Danilo in The Merry Widow, Papageno in Die Zauberflöte, Achille in Giulio Cesare, Ubalde in Lully’s Armide, Mars in Orpheus in the Underworld, Don Quixote in Man of la Mancha, Larry Foreman in The Cradle Will Rock, Bob Baker in Bernstein’s Wonderful Town, and Albert in Werther with such companies as Minnesota Opera, Des Moines Metro Opera, Utah Festival Opera, Pensacola Opera, Kentucky Opera, Skylark Opera, and others.
Mr. Preisser was a Resident Artist at Minnesota Opera, Kentucky Opera, and Pensacola Opera and an Apprentice Artist at Des Moines Metro Opera. In the competition circuit, he has been honored as a district winner in the Metropolitan Opera National Council Auditions and won the American finals of the International Lirico Concorso Competition this past summer. Mr. Preisser graduated summa cum laude from Florida State University with Bachelor of Music degrees in Voice Performance and Commercial Music and earned a Master of Music degree in Voice Performance from the University of Houston.