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“Omnia sol temperat”, Orff’s Carmina Burana

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“Soliloquy”, Rodgers and Hammerstein’s Carousel

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Loewe’s Brigadoon

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“Trouble in River City,” Wilson’s Music Man

“Omnia sol temperat”, Orff’s Carmina Burana

“Soliloquy”, Rodgers and Hammerstein’s Carousel


BACK TO  SINGERS I OUR ARTISTS

Gabriel Preisser

Baritone

Praised for his “matinee idol charm and charisma,” “a beautiful, luscious baritone,” and “a compelling, commanding stage presence” by publications such as Opera News, the Star Tribune, and the Houston Chronicle, Gabriel Preisser received rave reviews once again for his performance of Lt. Gordon in the world-première of Kevin Putz’s Pulitzer Prize-winning Silent Night with Minnesota Opera. He then took his portrayal of Lt. Gordon to Opera Philadelphia and Cincinnati Opera. This season, Mr. Preisser reprises the role of Lt. Gordon in Silent Night in his Michigan Opera Theatre début and he sings Maximilian in Candide with Orlando Philharmonic Orchestra, Mercutio in Roméo et Juliette and Dandini in La Cenerentola with Opera Tampa, the title role in Don Giovanni with Opera Orlando, and will narrate HK Gruber’s Frankenstein and sing the baritone solo in Bach’s St. Matthew Passion with Colorado Symphony.

Oct
2016

Oct-13
to
Oct-16
Candide
Maximilian
Orlando Philharmonic Orchestra
Orlando, FL
Nov
2016

Nov-12
to
Nov-20
Silent Night
Lt. Gordon
Michigan Opera Theater
Detroit, MI
Jan
2017

Jan-20
to
Jan-22
Roméo et Juliette
Mercutio
Opera Tampa
Tampa, FL
Feb
2017

Feb-10
to
Feb-12
La Cenerentola
Dandini
Opera Tampa
Tampa, FL
Mar
2017

Mar-24
to
Mar-26
Don Giovanni
Don Giovanni
Opera Orlando
Orlando, FL
Apr
2017

Apr-21
to
Apr-22
Frankenstein
Narrator
Colorado Symphony
Denver, CO
May
2017

May-05
to
May-07
Bach’s St. Matthew Passion
Soloist
Colorado Symphony
Denver, CO
Jun
2017

Jun-16
to
Jun-25
Don Giovanni
Don Giovanni
Skylark Opera
St. Paul, MN
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…dashing, clever…
 Le nozze di Figaro “Preisser is a dashing, clever Figaro.” – Minnesota Post 
…mellifluous baritone…
 Carousel   “Gabriel Preisser makes an ideal Billy Bigelow. He is sexy and passionate, but rough and brutish as well. He also has a mellifluous baritone that makes the most of his extended “Soliloquy.” – Star Tribune
…combined charismatic energy and timbral allure…
 Les mamelles de Tirésias/Mahagonny Songspiel  “As Bobby and the Husband, baritone Gabriel Preisser combined charismatic energy and timbral allure. – Opera News 
…young baritone was wonderful…
 Silent Night  “The young baritone Gabriel Preisser was wonderful as Lieutenant Gordon, a valiant and questioning Scottish officer.” New York Times 
…excellent acting skills…
 Die Fledermaus  “Gabriel Preisser’s warm, rich voice was enhanced by his excellent acting skills. His very comfortable stage presence made him a believable Dr. Falke (the perpetrator of the revenge plot), and we rooted for him to succeed in snaring assorted characters into his net.”– El Paso Times 
…impeccably sung…
 La bohème   “Gabriel Preisser’s Schaunard was impeccably sung and flawlessly acted and the whole principle ensemble worked wonderfully together, both in playful high-jinks and in the final scene, where subdued yet aching grief was beautifully conveyed by everyone.” Monterey County Herald
Praised for his “matinee idol charm and charisma,” “a beautiful, luscious baritone,” and “a compelling, commanding stage presence” by publications such as Opera News, the Star Tribune, and the Houston Chronicle, Gabriel Preisser received rave reviews once again for his performance of Lt. Gordon in the world-première of Kevin Putz’s Pulitzer Prize-winning Silent Night with Minnesota Opera. He then took his portrayal of Lt. Gordon to Opera Philadelphia and Cincinnati Opera.

This season, Mr. Preisser reprises the role of Lt. Gordon in Silent Night in his Michigan Opera Theatre début and he sings Maximilian in Candide with Orlando Philharmonic Orchestra, Mercutio in Roméo et Juliette and Dandini in La Cenerentola with Opera Tampa, the title role in Don Giovanni with Opera Orlando and Skylark Opera, and will narrate HK Gruber’s Frankenstein and sing the baritone solo in Bach’s St. Matthew Passion with Colorado Symphony.

Last season, Mr. Preisser sang Harold Hill in The Music Man at Colorado Symphony; Tommy in Brigadoon with Gulf Shore Opera; Guglielmo in Così fan tutte, Marchese in La traviata and Masetto in Don Giovanni with Opera Tampa; Le Mari in Poulenc’s surrealist two-act opéra bouffe Les mamelles de Tirésias with Opera Orlando; and Figaro in Le nozze di Figaro at the historic James J. Hill House. He also appeared in concert singing the baritone solo in Belshazaar’s Feast with Canterbury Chorale and as a soloist in Dayton Opera’s New Year’s Eve concert.

Highlights of recent seasons include Falke in Die Fledemaus with Minnesota Orchestra, Silvio in Pagliacci with Opera Naples, Mercutio in Roméo et Juliette with St. Petersburg Opera, Belcore in L’elisir d’amore with Shreveport Opera, Sam in Trouble in Tahiti with Florida Opera Theatre, Baron Douphol in La traviata with Orlando Philharmonic, Carmina Burana with the Gulf Coast Symphony, Händel’s Messiah with the Orlando Messiah Society, Billy Bigelow in Carousel with Minnesota Orchestra, Escamillo in Bizet’s Carmen with Lyric Opera of the North, Figaro in Il barbiere di Siviglia with St. Petersburg Opera, Farmer Bean in Tobias Picker’s Mr. Fantastic Fox with San Antonio Opera and Odyssey Opera in Boston, Sciarraone in Tosca with Orlando Philharmonic, Angelotti/Jailor in Tosca with Colorado Symphony and Colorado Springs Philharmonic, Figaro in Le nozze di Figaro at City Opera/Ballet Bellevue, and a double bill as Le Mari in Poulenc’s surrealist two-act opéra bouffe Les mamelles de Tirésias and Bobby in Weill’s scenic cantata Mahagonny-Songspiel with Opera Parallèle.

Mr. Preisser regularly garners critical acclaim for his dynamic interpretations of several new works including the title role in Aldridge’s Elmer Gantry, Tom Joad in Gordon’s The Grapes of Wrath, and Riolobo in Catán’s Florencia en el Amazonas at the Moores Opera Center; Antonio in Hagen’s New York Stories at Kentucky Opera; John Brooke in Adamo’s Little Women and Shoe Salesman/Puppet in Argento’s Postcard from Morocco, both at Pensacola Opera; and several recitals throughout the United States with music by Charles Ives, Brahms, Ravel, Villa-Lobos, and others.

Mr. Preisser demonstrates comfort and expertise on stages of all types with an expansive repertoire of opera and musical theater roles including Figaro in Il barbiere di Siviglia, Prince Ottokar in Der Freischütz, Danilo in The Merry Widow, the title role in Don Giovanni, Papageno in Die Zauberflöte, Achille in Giulio Cesare, Ubalde in Lully’s Armide, Pooh-bah in The Mikado, Mars in Orpheus in the Underworld, Don Quixote in Man of  la Mancha, Larry Foreman in The Cradle Will Rock, Bob Baker in Bernstein’s Wonderful Town, and Albert in Werther with such companies as Minnesota Opera, Des Moines Metro Opera, Utah Festival Opera, Pensacola Opera, Kentucky Opera, Skylark Opera, and others.

Mr. Preisser was a Resident Artist at Minnesota Opera, Kentucky Opera, and Pensacola Opera and an Apprentice Artist at Des Moines Metro Opera.  In the competition circuit, he has been honored as a district winner in the Metropolitan Opera National Council Auditions and won the American finals of the International Lirico Concorso Competition this past summer.  Mr. Preisser graduated summa cum laude from Florida State University with Bachelor of Music degrees in Voice Performance and Commercial Music and earned a Master of Music degree in Voice Performance from the University of Houston.

 

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