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Chad Johnson

Tenor

Noted as a “blond hunk with a bright tenor sound,” Chad Johnson has impressed audiences and critics throughout his career. Mr. Johnson’s recent engagements include Nadir in Les pêcheurs de perles with both Virginia Opera and Opera Carolina; Ruggero in La rondine with Fresno Grand Opera; Lysander in Britten’s A Midsummer Night’s Dream with Boston Lyric Opera;  Don Ottavio in Don Giovanni with the Savannah Voice Festival; Niklaus Sprink in Fort Worth Opera’s production of Silent Night, and joined Washington National Opera for their production of Jake Heggie’s Moby Dick.

 

Oct
2014

Oct-24
to
Nov-02
Silent Night
Nikolaus Sprink
Wexford Festival
Wexford, Ireland
Apr
2015

Apr-18
to
Apr-20
Fidelio
Jaquino
Opera Omaha
Omaha, NE
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…pleasant tone sounded youthful…
Les pêcheurs de perles“As Nadir, tenor Chad Johnson was a well-matched lover, both vocally and visually, making the lovers’ story believable and their impending deaths in the third act a real source of dramatic tension. Johnson’s pleasant tone sounded youthful, and it took on weight both for his emotional aria and to match others in ensemble.”The Virginian-Pilot 
…his performance certainly validated…
 Silent Night“Sprink is played by tenor Chad Johnson, whose agent states is “noted as a ‘blond hunk with a bright tenor sound.’” Indeed. His uniform precluded assessing the first part of this breathless description, but his performance certainly validated the last.” – Theater Jones 
…sang with power and clarity…
Il sogno di Scipione - “Chad A. Johnson, as Emilio, sang with power and clarity.”The New York Times
…sang vividly…
A Midsummer Night’s Dream“Chad A. Johnson and Matthew Worth both sang vividly as Lysander and Demetrius, respectively.”The Boston Globe 
…ringing tenor easily filled the hall…
Messiah- “Chad Johnson’s ringing tenor easily filled the hall in his long sequence in Part 2.”Birmingham News 
…provided deeply felt moments…
Così fan tutte - “The excellent tenor Chad Johnson provided some deeply felt moments as his Ferrando struggled to stay in the game, and all of his arias rang true.”Opera News 
Composer Opera Role
Barber Vanessa Anatol
Beethoven Fidelio Jaquino
Bellini I Capuleti e i Montecchi Tebaldo
I puritani Arturo
La sonnambula Elvino
Berlioz Béatrice et Bénédict Bénédict
Bernstein Candide Title role
Bizet Les pêcheurs de perles Nadir
Britten Albert Herring Title role
A Midsummer Night’s Dream Lysander
The Rape of Lucretia Male Chorus
The Turn of the Screw Peter Quint/Prologue
Cimarosa Il matrimonio segreto Paolino
Delibes Lakmé Gérald
Donizetti Don Pasquale Ernesto
L’elisir d’amore Nemorino
La fille du régiment Tonio
Lucia di Lammermoor Edgardo
Gounod Faust Title role
Roméo et Juliette Roméo
Lehár The Merry Widow Camille de Rosillon
Massenet Cendrillon Le Prince Charmant
Manon Des Grieux
Werther Title role
Mozart Così fan tutte Ferrando
Don Giovanni Don Ottavio
Die Entführung aus dem Serail Belmonte
Il sogno di Scipione Emilio
Die Zauberflöte Tamino
Poulenc Dialogues des carmélites Chevalier de la Force
Puccini La bohème Rodolfo
Gianni Schicchi Rinuccio
La rondine Ruggero
Ravel L’heure espagnole Gonzalve
Rossini Il barbiere di Siviglia Count Almaviva
Strauss, J. Die Fledermaus Alfred
Strauss, R. Salome Narraboth
Stravinsky The Rake’s Progress Tom Rakewell
Tchaikovsky Eugene Onegin Lensky
Verdi Falstaff Fenton
Rigoletto Duke
La traviata Alfredo
Composer Work  
Bach Christmas Oratorio
Mass in B Minor
Mass in G Major
St. John Passion
St. Matthew Passion
Beethoven Missa Solemnis
Ninth Symphony
Berlioz Requiem
Romeo et Juliette
Britten Serenade for Tenor, Horn, and Strings
Spring Symphony
War Requiem
Dvořák Stabat Mater
Te Deum
Elgar The Dream of Gerontius
Händel Messiah
Haydn Creation
Harmoniemesse
Lord Nelson Mass
The Seasons
Mendelssohn Die Erst Walpurgisnacht
Elijah
Mozart Coronation Mass
Missa Brevis
Requiem
Orff Carmina Burana
Rachmaninoff Vespers
Rossini Stabat Mater
Stravinsky Pulcinella
Tippett A Child of our Time
Verdi Requiem

 

Noted as a “blond hunk with a bright tenor sound,” Chad Johnson has impressed audiences and critics throughout his career. Mr. Johnson’s recent engagements include Nadir in Les pêcheurs de perles with both Virginia Opera and Opera Carolina; Ruggero in La rondine with Fresno Grand Opera; Lysander in Britten’s A Midsummer Night’s Dream with Boston Lyric Opera; Emilio in Il sogno di scipione with Gotham Chamber Opera; Don Ottavio in Don Giovanni with the Savannah Voice Festival; and the role of Lance in the rarely performed Gluck opera, L’arbre enchanté, as part of Fire Island Opera’s inaugural season.

In 2014, Chad performed the role of Niklaus Sprink in Fort Worth Opera’s production of Silent Night, performed a Gala Concert with Maestro Jerry Steichen, and also joined Washington National Opera for their production of Jake Heggie’s Moby Dick.  Upcoming engagements include a reprisal of the role of Niklaus Sprink in Silent Night in his début with The Wexford Festival; Jaquino in Fidelio with Opera Omaha; and a début with Cincinnati Opera in 2016.

Previous career highlights include Gérald in Lakmé with Minnesota Opera and Florida Grand Opera; Don Ottavio in Don Giovanni with New Orleans Opera; Paolino in Il matrimonio segreto at Brooklyn Academy of Music; Ferrando in Così fan tutte with Tanglewood Music Center under the baton of Maestro James Levine. From this performance Opera News raved: “The excellent tenor Chad Johnson provided some deeply felt moments as his Ferrando struggled to stay in the game, and all of his arias rang true.”

As a member of the young artist program at Chicago Opera Theater, Chad covered the role of the Male Chorus in Britten’s The Rape of Lucretia. He was also a member of the Santa Fe Opera’s Apprentice Artist Program and the Young Artist Ensemble at Florida Grand Opera where he sang many roles, including the Second Jew in Salome, Benvolio in Roméo et Juliette, Gastone in La traviata, Joszef in the North American première of Ede Donath’s Szulamit, and Pong in Turandot. With Glimmerglass Opera, as a member of the Young American Artists Program, he sang the role of Harry in La fanciulla del West.

He is also active as a concert soloist performing with the Atlanta Symphony, St. Paul Chamber Orchestra, Tanglewood Festival Orchestra, Boston Pops, Sun Valley Symphony Orchestra, San Diego Chamber Orchestra and Master Chorale, Kalamazoo Symphony Orchestra, AIMS Festival Orchestra, Symphony of the Americas and New World Symphony. He has been a featured soloist in such works as Mozart’s Requiem and Coronation Mass, Händel’s Messiah, Vaughan Williams’ Serenade to Music, Bach’s Magnificat, Orff’s Carmina Burana, and numerous recitals and concerts. Recent performances include Mozart’s Coronation Mass and Haydn’s Missa in Angustiiswith the New York Choral Society, a New Year’s Eve concert with the Alabama Symphony, Mozart’s Requiem with Modesto Symphony Orchestra, Britten’s Spring Symphony for MidAmerica Productions, and a pops program with Long Beach Symphony.

A native of Muskegon, Michigan, Chad Johnson studied at Western Michigan University, the University of Kentucky, and the American Institute of Musical Studies’ Opera Studio in Graz, Austria. Johnson won the Four Cities District Metropolitan Opera National Council Auditions, and first prize in the Licia Albanese-Puccini Foundation Competition.

 

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