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“Rosina/Figaro Duet”, Puccini’s Il barbiere di Siviglia

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“Sein wir wieder gut”, Strauss’s Ariadne auf Naxos

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“Tanti affetti”, Rossini’s La donna del lago


“Rosina/Figaro Duet”, Puccini’s Il barbiere di Siviglia

“Sein wir wieder gut”, Strauss’s Ariadne auf Naxos

“Tanti affetti”, Rossini’s La donna del lago

BACK TO  SINGERS I OUR ARTISTS

Alyssa Martin

Mezzo-Soprano

Hailed by Opera News as “vocally distinctive,” Alyssa Martin is quickly garnering attention as a standout young singer. Ms. Martin has been training as a young artist with opera companies all over the nation including Opera Theatre of St. Louis, Des Moines Metro Opera, Virginia Opera, Arizona Opera, and The Santa Fe Opera, where she recently made her début as Stéphano in Roméo et Juliette. This season, Ms. Martin performs the role of Séibel in Faust with Tulsa Opera, Rosina in Il barbiere di Siviglia with Dayton Opera, soloist with the Sacramento Philharmonic and Opera Concert and reprises Stephano in Roméo et Juliette and performs in the Catch A Rising Star recital both with Opera Birmingham. Additionally, she performs in the Glimmerglass Festival as Vivian in Oklahoma and in Xerxes and Scalia/Ginsburg. Future seasons will see Ms. Martin on the Dallas Opera stage.

Jul
2017

Jul-08
to
Aug-22
Oklahoma!
Vivian
Glimmerglass Festival
Cooperstown, NY
Oct
2017

Oct-20
to
Oct-22
Faust
Seibel
Tulsa Opera
Tulsa, OK
Oct-29
Catch a Rising Star
Soloist
Opera Birmingham
Birmingham, AL
Nov
2017

Nov-18
A Night at the Opera
Soloist
Sacramento Philharmonic & Opera
Sacramento, CA
Mar
2018

Mar-02
to
Mar-04
Il barbiere di Siviglia
Rosina
Dayton Opera
Dayton, OH
Mar-23
to
Mar-25
Roméo et Juliette
Stephano
Opera Birmingham
Birmingham, AL
Apr
2018

Apr-11
to
Apr-13
Penderecki’s Credo
Soloist
Indianapolis Symphony Orchestra
Indianapolis, IN
Please click below to see full quote

…mellifluous voice…
 Arizona Opera Sapphire Celebration – “…Martin blended her mellifluous voice with that of suave young baritone Joseph Lattanzi in the Act I Scene 2…” – Opera Today 
…all the delicacy…
Cendrillon “Alyssa Martin captured all the delicacy of Massenet’s deliciously Gallic tunes…” – Voce di meche 
…vocally distinctive…
 Falstaff – “Alyssa Martin offered an unusually vocally distinctive Meg…” – Opera News 
…a sweet sound…
Don Giovanni – “Alyssa Martin was a charming Zerlina who sang with a sweet sound.Opera Today
…enticing…
Falstaff – “Alyssa Martin was an enticing Meg Page who sang with well-placed higher tones.Opera Today
Hailed by Opera News as “vocally distinctive,” Alyssa Martin is quickly garnering attention as a standout young singer. Ms. Martin has been training as a young artist with opera companies all over the nation including Opera Theatre of St. Louis, Des Moines Metro Opera, Virginia Opera, Arizona Opera, and The Santa Fe Opera, where she recently made her début as Stéphano in Roméo et Juliette. This season, Ms. Martin performs the role of Séibel in Faust with Tulsa Opera, Rosina in Il barbiere di Siviglia with Dayton Opera, soloist with the Sacramento Philharmonic and Opera Concert and reprises Stephano in Roméo et Juliette and performs in the Catch A Rising Star recital both with Opera Birmingham. Additionally, she performs in the Glimmerglass Festival as Vivian in Oklahoma and in Xerxes and Scalia/Ginsburg. Future seasons will see Ms. Martin on the Dallas Opera stage.

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Last season, Ms. Martin returned to Arizona Opera for a second year as a Marion Roose Pullin Studio Artist where she débuted the role of Angelina in La Cenerentola and performed in their productions of Rusalka and Madama Butterfly. She also performed with the Young Voices of The Santa Fe Opera in a holiday concert tour and as a soloist in the 45th Anniversary Sapphire Celebration Gala with Arizona Opera. Additional recent engagements include several important role débuts at Arizona Opera including Mercédès in Carmen, Meg Page in Falstaff, and Zerlina in Don Giovanni; the mezzo solo in Händel’s Messiah with the Santa Fe Symphony and Mozart’s Mass in C minor with Santa Barbara Choral Society; and covering Flora and Annina in La traviata and The Page in Salome as an Emerging Artist at Virginia Opera.

Ms. Martin received her tenure as an Apprentice Artist at the Santa Fe Opera in the 2014-15 season where she covered Don Ramiro in Mozart’s La finta giardiniera. While at Santa Fe, Ms. Martin also performed scenes as Dorabella in Così fan tutte and Desdemona in Rossini’s Otello. Ms. Martin was also an Apprentice Artist with Des Moines Metro Opera where she covered Isolier in Rossini’s Le comte Ory.

Ms. Martin has received numerous accolades already in her young career. She won the 2016-2017 Sullivan Competition sponsored by The William Matheus Sullivan Musical Foundation. As a returning Apprentice Artist in 2016, she was honored to be the recipient of the Campbell Wachter Award from The Santa Fe Opera. Other prestigious awards in the 2015-2016 season include 1st Prize in The Opera Columbus Cooper-Bing Vocal Competition and being named a winner in the Arizona District Metropolitan Opera National Council Auditions, in which she went on to place 3rd at the Western Region Finals. In the 2014-15 season, she was awarded a Career Grant from the Seattle Opera Guild, an Encouragement Grant from the Career Bridges Grant Foundation, and also 2nd prize at the Young Patronesses of the Opera Competition at Florida Grand Opera. She has been the recipient of numerous awards from organizations such as the Orpheus Vocal Competition, Young Patronesses of the Opera, Opera Guild of Dayton, Indianapolis Matinee Musicale, and Utah Festival Opera.

Ms. Martin completed her studies at the prestigious Indiana University Jacobs School of Music where she obtained both a bachelor’s and master’s degree under the instruction of Patricia Stiles and world-renowned soprano, Carol Vaness. On the IU stage, she performed roles such as Cherubino in Le nozze di Figaro, Cendrillon in Cendrillon, Dorabella in Così fan tutte, and Prinz Orlofsky in Die Fledermaus.

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