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Ping (cover) in Turandot, The Metropolitan Opera
January 2, 7, 10, 2013
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David Won

Baritone

Korean-American baritone David Won is critically acclaimed as a distinguished baritone of “dramatic power and exceptional beauty.” A graduate of the Metropolitan Opera’s prestigious Lindemann Young Artist Development Program, he first performed on the main-stage as Prince Yamadori in Anthony Minghella’s new production of Madama Butterflywhich was part of the “Live in HD” series and released on DVD.  Opera Magazine proclaimed, “There’s an excellent Yamadori from David Won and his scene is played with an unusual degree of imaginative perception by all participants.”

In addition, he has appeared with the MET as Gregorio in Romeo et Juliette, Silvano in Un Ballo in Maschera, Perichaud in La Rondine, Cappadocian in Salome, Unlucky Gambler in The Gambler, Huntsman in Rusalka, as well as in their productions of Thais, Il barbiere di Siviglia, Carmen, and Iphigenie en Tauride opposite Placido Domingo.  This past season he covered Belcore in L’Elisir d’Amore and will return next season to cover Ping in Turandot.

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…filled with nuances…
Falstaff - “David Won had the unenviable task of singing Ford against such a powerful voice…he gave a volatile rendition, filled with nuances and capped with a wonderful “Un sogno” monologue.”Opera News
…singing especially rings true…
La boheme - “Won’s singing especially rings true during the scene at the Christmas celebration, when Marcello spots an ex-flame. Won etches every resentful word about her in acid. When she appears, though, the coquette Musetta doesn’t live up to his invectives.”Charlotte Observer
…especially notable…
Amelia- “David Won’s rich baritone is especially notable, and no one else in the large cast is less then excellent.”Seattle Times
…velvety depths of tone…
Feast of Songs - “The velvety depths of tone were then deployed in five Schubert songs; David’s voice has a beautiful core from which he is able to move the voice easily and expressively throughout a wide range. His presentation of the songs was sincere and unfussy.”– at Bruno Walter Auditorium
Composer Opera Role
Bellini I Puritani Ricardo
Bizet Carmen Escamillo
Donizetti Don Pasquale Malatesta
L’Elisir d’Amore Belcore
Lucia di Lammermoor Enrico
Handel Guilio Cesare Achilla
Gounod Faust Valentin
Romeo et Juliette Mercutio
Leoncavallo I Pagliacci Silvio
Massenet Manon Lescaut
Mozart Don Giovanni Don Giovanni
The Magic Flute Papageno
Cosi fan tutte Guglielmo
Le nozze di Figaro Count
Puccini La boheme Marcello, Schaunard
Manon Lescaut Lescaut
Rossini Il barbiere di Siviglia Figaro
L’Italiana in Algeri Taddeo
La Cenerentola Dandini
Verdi Don Carlos Rodrigo
Falstaff Ford
Il trovatore Count di Luna
La traviata Germont
Simon Boccanegra Paolo
Wagner Lohengrin Heerrufer
Tannhauser Wolfram von Eschenbach
Composer Work  
Bach Magnificat
Beethoven 9th Symphony
Brahms Requiem
Britten War Requiem
Faure Requiem
Handel Messiah
Haydn Creation
Mendelssohn Elijah
Mozart Requiem
Orff Carmina Burana
Verdi Requiem
Korean-American baritone David Won is critically acclaimed as a distinguished baritone of “dramatic power and exceptional beauty.” A graduate of the Metropolitan Opera’s prestigious Lindemann Young Artist Development Program, he first performed on the main-stage as Prince Yamadori in Anthony Minghella’s new production of Madama Butterfly which was part of the “Live in HD” series and released on DVD.  Opera Magazine proclaimed, “There’s an excellent Yamadori from David Won and his scene is played with an unusual degree of imaginative perception by all participants.”

In addition, he has appeared with the MET as Gregorio in Romeo et Juliette, Silvano in Un Ballo in Maschera, Perichaud in La Rondine, Cappadocian in Salome, Unlucky Gambler in The Gambler, Huntsman in Rusalka, as well as in their productions of Thais, Il barbiere di Siviglia, Carmen, and Iphigenie en Tauride opposite Placido Domingo.  This past season he covered Belcore in L’Elisir d’Amore and will return next season to cover Ping in Turandot.

Mr. Won has made many significant role debuts outside of the MET, having first appeared as Ford in Falstaff with Cleveland Opera, in which Opera News declared, “he gave a volatile rendition, filled with nuances and capped with a wonderful “E sogno” monologue.”  Additional debuts have included Marcello in La Boheme with Opera Carolina; Escamillo in Carmen with Nashville Opera; Guglielmo in Così fan tutte with the Lyric Opera of Kansas City; and his Alice Tully Hall debut as the Baritone soloist in the Faure Requiem and Vijay Singh’s world premiere Mass with DCINY.

He also appeared as the Doctor in the World Premiere of Daron Hagen’s Amelia with the Seattle Opera and returned there as Ford in Falstaff.  In addition, he has performed Dr. Malatesta in Don Pasquale with Connecticut Opera, Chief Policeman in Lady Macbeth of Mtsensk at the former Baltimore Opera, Achillas in Giulio Cesare at Utah Festival Opera, and covered Rodrigo in Don Carlo with the Boston Symphony Orchestra under the baton of James Levine.

Mr. Won has won numerous International competitions and awards including First place in the Baltimore International Vocal Competition, First place in the Violetta Dupon Opera Florham International Competition, First place in the Mario Lanza Opera Competition, First place in the Washington International Vocal Competition, First place in the Civic Morning Vocal Competition, Second prize winner in the Jensen Foundation and Gerda Lissinger Foundation, First male prize in LiederKranz Foundation, and Third prize in Caruso International Competition.

 

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